Opening Times

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Friday April 19                 Private View

Saturday April 20           11am – 4pm

Sunday April 21               11am – 4pm

Monday April 22             Closed

Tuesday April 23            4pm – 7pm

Wednesday April 24       4pm – 7pm

Thursday April 25           6pm – 9pm 

Friday April 26                4pm – 7pm

Saturday April 27            11am – 4pm

Sunday April 28              11am – 4pm

“I hope that the imagery in this new body of work reflects an empathetic story of a truth about the human condition in today’s world.”

[James Gemmill, 2024]

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“I’m an unreliable narrator – so the interpretation is left up to the viewer.” 

[Gavin Lockheart, 2024]

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Oxford Festival of the Arts is delighted to be working together with the Pembroke College JCR Art Collection to present “Just Looking” – an exhibition of the work of James Gemmill and Gavin Lockheart.  There is a subliminal thread across these works – they play on different possible interpretations of stories told/untold – and that is what is fascinating about James’ and Gavin’s work.  They tell a story (or do they?), but that story is completely up to the viewer.  There is a darkness in some of the paintings, a link to horrors around us and man’s inhumanity to man, but is there a glimmer of hope? That is up to you. 

 

With its references to the darkness of war and conflict, this exhibition also links to the foundation of the PC JCR Art Collection established in 1947 by Anthony Emery, a mature undergraduate who came to Pembroke to read History following his return from WWII; and leads on to our next exhibition of works by British surrealist painter and war artist Paul Nash, which will be shedding light on the Oxfordshire locations that inspired his work and the Oxonian women who supported him. 

 

“I hope that the imagery in this new body of work reflects an empathetic story of a truth about the human condition in today’s world. If a painting of a group of workers, an empty room, or a figure in the dark, can evoke a response that reflects what is happening in real life, then the creation of this painting is justified.  The story of each painting can, and I hope, will, be interpreted and embellished upon by the viewer… and may not be what I intended.” - James Gemmill

 

“I try to avoid ambiguity in real life, but that is what I like about painting.  I can relay the chain of events that lead to the painting: from sources, to process, to result; but it is up to the individual how to perceive each painting.  I borrow and steal from my past, my memories, photographs, film stills, to create something new.  I am an unreliable narrator – so the interpretation is left up to the viewer.”  - Gavin Lockheart

ABOUT JAMES GEMMILL

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Oxfordshire-based artist James Gemmill has a wide-ranging artistic career, working in film, television, and design, as well as in the more traditional context of gallery artist.  He has been commissioned large works in the cinematic world, including the recreation of sections of the Louvre gallery for “The Da Vinci Code”; the theatrical set of the film “Anna Karenina”, the reproductions for “The Last Vermeer”, and “Glass Onion: A knives out mystery” just to name a few.  James studied at the University of Utah, Salt Lake City and at the University of Boston; after which he received a Fulbright Scholarship to study at the Royal College of Art in London. His work is held in a number of prestigious collections in different countries. Most recently, Gemmill’s work was exhibited at The Mall in London, at Old Brompton Gallery, South West London, and at New College Oxford, as part of Oxford Festival of the Arts – with whom he has established an ongoing partnership.  

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ABOUT GAVIN LOCKHEART

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Gavin Lockheart was born in the Midlands between picturesque countryside and the heavy industry of the Black Country. His paintings sit mostly within a generalised landscape genre but often with further imagery apparent on the surfaces; figures, faces, flowers, vehicles, buildings, drawn from a lifetime of taking pictures, not so much an imagined world as a reconstructed one. Rural features appear incongruously in the city; figures seem out of place in their environment, though seeping into it. The use of multi layered imagery throws the understanding of depth out of focus and sets up a scenario where the surface functions both as screen and as window.  Gavin studied at St. Martin’s and has shown in the U.S and Europe and in 2007 completed a nine story wall installation in Manchester. He lives and works in London.  Some of Gavin’s work can be viewed, by appointment, at the Artist Room, Great Chapel Street, Soho.